Spring Quiche (Inspired by Kurt Vile)

spring quiche

Hello! It’s been an embarrassingly long time since I’ve posted anything here, and if you’re one of the handful of people who’ve asked if I’m still doing this thing, thanks for caring and I apologize for such a long wait. Life’s been crazy (when isn’t it?) and while I’ve been stockpiling a bunch of half-baked ideas for ETB, I’ve had a hard time sitting still long enough to fully conceptualize them. That’s not to say I haven’t been cooking — a couple weeks ago, I settled in to my fourth (!) Brooklyn apartment, this time down in Bay Ridge, a lovely neighborhood in the southwest corner of the borough, with this guy. For the first time in a long time (ever?), I’ve got a kitchen that’s set up exactly how I want it to be, with no competition for the stove or fridge space, and I’ve got all my pantry items in one place. Going back and forth between apartments for 15 months was challenging and often stressful, and it especially took a toll on planning food projects. So, now that I’m finally settled in with the best roommate ever for as long as we’re allowed to live in this apartment, I’m hoping I can finally get my act together. Or not. We’ll see! Regardless, I’ve got a lot more peace of mind and I’ve been cooking up a storm — just mostly everyday dishes without ingredient lists or measurements. (And I’m thinking about ways to share that kind of stuff here, too.)

Anyway, on to Kurt Vile and my first legit crusted quiche (recipe here)!

I got into Kurt Vile at the end of 2011 when Smoke Ring For My Halo was on everyone’s best-of lists (I was late to the party) and he’s been in regular rotation since. His new record Wakin’ on a Pretty Daze is one of my favorites of the year and it’s been in my ears nonstop the last couple months. A good amount of Vile’s music is chilled-out, conventional-ish indie rock — great guitar hooks, moments of jangly pop, a few catchy melodies — but just as often he wanders off to the point where it’s easy to get lost and forget that I’m listening to the same song that started six minutes ago. He has a reputation for dark lyrics, but in reality he’s got an amazing, wry sense of humor; in the album’s first song, the almost-title track “Wakin’ on a Pretty Day,” he sings, “Phone ringing off the shelf/ I guess it wanted to kill himself,” and he jokes that he has to think about what kind of wisecracks he’s going to drop that day. Vile, who’s based in Philadelphia, told Pitchfork that he’s mostly a homebody and a “family man” — he’s married with two young kids — and there are a couple times here that he assures his loyalty to his family, like in “Never Run Away” and “Too Hard,” the latter of which is one of the sweetest songs I’ve heard in a while.

It’s finally starting to feel like spring in New York and that’s what this whole record feels like. “Wakin’ on a Pretty Day” calls for a light, springy breakfast, so I made a quiche with greens and sweet caramelized onions. Vile’s homebody-ness is a great parallel because it’s a perfect dish for a leisurely brunch, but you’ve got to stick around for a little while to make it. It’s not incredibly difficult, but there’s a bit of prep work — though some of it, like caramelizing the onions and chopping vegetables, can easily be done ahead of time. It’s also versatile and can be used with pretty much any vegetables or cheeses you have on hand. That’s to say you don’t need to pay super close attention to your measurements, at least when it comes to the veggies: Vile’s songs can space out, and you can kinda do the same — just do your thing and it’ll turn out OK.

One of my favorite verses on the album is in the sprawling last track, “Goldtone,” which starts with, “Sometimes when I get in my zone, you’d think I was stoned/ But I never, as they say, ‘touch the stuff’/ I might be adrift, but I’m still alert/ concentrate my hurt into a gold tone.” Which is to say, things aren’t always as they appear (like the frequent categorization of Vile’s music as stoner-rock). It’s similar to how you might look at this creamy dish and think it’s full of fat — most quiche recipes use a stick of butter in the crust and two cups of heavy cream in the filling, which is kinda nuts, though I’m sure delicious. So while I didn’t skimp on the cheese here, it’s actually not quite as rich as it appears: The crust is made with olive oil instead of butter (and only a few tablespoons of it), as well as skim milk and a couple extra egg whites — but it doesn’t lose any of the flavor.

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Polenta pie

Sunny Polenta Squash Pie (Inspired by Cat Power)

Polenta pie

Polenta squash pie

I went through a bit of a music drought this year, about a three-month period where I wasn’t blown away by much of anything, and Cat Power’s new album Sun is one that opened the floodgates and got me excited again. It’s emotional and, well, Cat Power-y, but not in the sad way longtime fans expect; and despite the less-depressing words and electronic-tinged music that’s on a different planet from the rest of her catalog, Chan Marshall actually sounds more like herself here. My good friend Amanda (who wrote a fascinating story about her for Pitchfork) said when she went back to listen to her 2006 album The Greatest, she found that Marshall’s voice sounded empty compared to this new one, because she wasn’t totally in it, and she’s right. That album is gorgeous and soulful, but it’s missing some of the “power” that exists on Sun.

It’s all too often that Chan Marshall’s breakdowns and emotional turmoil overshadow her music, but it sounds like she’s mostly in a healthier place here and looking forward; in the title track she sings, “We are free, you and me, we can finally run.” (It’s also worth noting that Sun is wrongfully being billed as a breakup album: The breakup — with actor Giovanni Ribisi — happened after the record was made). In “Real Life” she sings, “Real life is ordinary/ Sometimes you don’t want to live/ Sometimes you gotta do what you don’t want to/ To get away with an unordinary life” and in the 11-minute-long “Nothing But Time,” she sings to Ribisi’s teenage daughter about being young and wanting to be somebody (“I see you, kid, alone in your room/ You got the weight on your mind you’re just tryin’ to get by/ Your world is just beginning/ And I know this life seems neverending/ But you’ve got nothin’ but time/ And it ain’t got nothin’ on you”).

So, for the food — most of the reason for this pie (or quiche, or whatever you want to call it) is because it’s bright, yellow and looks like a sun (thanks to polenta, yellow summer squash, corn, tomatoes and baked eggs); but it’s also a healthy and well-balanced dish because Sun seems to find Marshall in a healthier place than in the past. And sort of on that same note, the onions in it start out spicy, but they mellow out and sweeten as they’re cooked. This is definitely a labor-intensive dish, but so was Sun, which Marshall wrote and recorded completely on her own (I didn’t do that much; I had a little bit of help in the kitchen!). The music has the perfect energy level for a lowkey Sunday morning; instead of wanting to hide under the covers and cry, Sun makes me want to get out of bed and start the day.

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Mini Quiche, Granola, and Cake Balls (Eats and Beats, March 12-18)

Hey guys! I’m going to test out a new thing on Fridays where I post a roundup of stuff I cooked/baked throughout the week, as well as some music I listened to. You (my friends, I think the only people who read this site so far) ask me pretty regularly for recipe/meal ideas, and also for music recommendations, so I’m hoping this will be a handy way to give you that. Let me know if it actually is helpful!

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