It took until just a couple weeks ago, but it is finally (mostly) super cold in New York (though significantly worse in Michigan last weekend, yikes). Not that I’m saying this is a good thing; winter is easily my least favorite season, except for the fact that I can comfortably use my oven and also make and eat soup all. the. time. I adapted this recipe from David’s stepmom, and the original is an award winner (at the Kennett Square Mushroom Festival many years ago, and still talked about all the time!); this version is vegan, and it was served at last month’s Supper Studio dinner with Brooklyn psych-pop band TEEN.
Oh hey, it’s that time again! I still don’t love making (ranked) lists, but I do love sharing music with you, and it has certainly been a good year for that — so, here’s what I loved in 2013. As always, I’m giving you a disclaimer that I (gasp!) didn’t listen to everything that was released in the last year, and I’m looking forward to hearing what slipped through the cracks later on. Another disclaimer: I listened to a lot of country music this year — but please don’t let that scare you! I used to consider myself not a country person, but I’ve heard some incredible storytelling in the form of country music (namely, Jason Isbell, Brandy Clark and Holly Williams) — so if you’ll just trust me on this, you can download a mix of 35 of my favorite songs of the year, country and otherwise.
Quick note: I know I’ve been awful about keeping up with ETB this year! I’m (kinda) working on it, but it’s likely that posts will still be pretty infrequent going forward. However, I’ve got one more coming later this month, from last month’s Supper Studio event, and will continue to post other new recipes on occasion.
So, here are my 10 favorite albums of 2013, roughly in order from 10-1… but that tends to change every few minutes:
Yo La Tengo, Fade
Yo La Tengo’s album Fade was big for me at the beginning of 2013 (see my post about my grandpa + a recipe for chocolate fig rugelach), and while I didn’t listen to it consistently throughout the whole year, every time I do put it on I’m surprised by how I managed to even briefly forget that these songs existed. It’s comforting and consistent.
Favorite songs: “Ohm,” “Stupid Things,” “Paddle Forward”
Holly Williams, The Highway
First, a big thanks to the great Rachael Maddux (one of few people whose music recommendations I will always take) for telling me about this record, which I knew I would love after just 30 seconds of Holly Williams’s sorta-raspy voice singing, “Why’re you drinkin’ like the night is young?” So, Williams is the granddaughter, daughter and half-sister of Hank Williams Sr., Jr. and III, respectively. Also, this record has guest vocals from Jackson Browne and, uh, Gwenyth Paltrow. Thankfully all of that is completely irrelevant because the traditional, no-frills country songs on The Highway would be as amazing (and heartwrenching) without any of that.
Favorite tracks: “Railroads,” “Gone Away From Me”
The National, Trouble Will Find Me
Trouble Will Find Me is admittedly the first National album that’s been released since I’ve considered myself more than just a casual fan; it’s beautiful and majestic and not quite as consistently dark as some of their other records. And of course anything with vocal help from the inimitable Sharon Van Etten gets extra points in my book.
Favorite tracks: “Don’t Swallow the Cap,” “This Is The Last Time”
Brandy Clark, 12 Stories
12 Stories is, hands down, the best straight-up country album of the year — and one of the best of the year, period. Brandy Clark has written hits for Kacey Musgraves, Miranda Lambert, the Band Perry and others, but this is the first collection of her own songs. She’s a masterful storyteller: The first track “Pray To Jesus” is about praying and playing the lotto because “there ain’t but two ways we can change tomorrow”; “Take a Little Pill” is about a woman’s addiction to prescription meds; the hilarious “Stripes,” which I’d love to hear somewhere in Orange is the New Black, is about not pulling the trigger on a cheating lover so as to not be forced to wear orange or stripes. With other songs about cheating, divorce, pot and illigitimate children, Clark’s songs might sound sonically traditional, but she is far from your average country songwriter. (Side note: I was really proud to have gotten the BF’s parents super into this one on our trip to San Francisco last month.)
Favorite tracks: “Stripes,” “Take a Little Pill”
Mikal Cronin, MCII
These are 10 masterful pop songs that will get stuck in your head for months — I’m pretty sure at any given moment throughout the whole summer I had at least one of them running around in my brain, and I was never mad about it. Fantastically jangly, hooky songs about growing up and the stress of figuring out what to do with your life. We can all relate, right? His set at Pitchfork Fest in July was glorious.
Favorite tracks: “Shout It Out,” “Peace of Mind”
It kinda blows my mind that Lorde’s “Royals” is the No. 1 song in the country. Not because it isn’t amazing (it is!) and it’s certainly not surprising that it’s popular, but it’s so not in the same world as everyone charting right behind her — Katy Perry, Miley Cyrus, Drake. Lorde (16-year-old Ella Yelich-O’Connor) herself is so unfazed by everything the pop-music industry usually stands for, she writes all her own lyrics, and couldn’t care less about being famous; it’s refreshing and rare to find that in a pop artist.
Her whole record, Pure Heroine, is amazing, and amazingly smart: O’Connor writes about adolesence and growing up in a way that’s relatable, even for those of us who are a decade or more past her, and she does it without being cheesy or contrived. In a recent interview with the Guardian, she said, “I’m like the most terrible person to go to a party with in the world, because I just can’t enjoy it. I’m just thinking all the time about what it means and what the implications are. So everybody’s getting fucked up and I just can’t give myself over to it, because I’m thinking about…the archetypes of being a teen. I’m really interested in kind of weird social situations and cliques, watching girls vying for attention, watching how the popularity thing happens. I’ve always thought way too hard about everything.” I’m usually so pessimistic about today’s teenagers, and then there are gals like this (and Tavi Gevinson, and everyone who was at her incredible Rookie Magazine party and talent show in Brooklyn a few weeks ago) who remind me that it’s not all bad out there and restore my faith in humanity.
Aaaand, on to the food: A lot of the backing music on Pure Heroine uses rippling, swirly electronics, so the thinly sliced eggplant, and the pieces of it being rolled into spirals, represents that, as well as the layered vocals in most of the songs. The eggplant is also for her music’s darkness; I think of cool colors like purple, blue and gray. The filling has curly kale in it — because Lorde has the best. hair. ever. and also because it’s known as being trendy and high-brow, but in reality kale has been around forever and is easy for any common person to find or afford; kinda like in “Royals” where she and her friends are pretending to be fancy, even when they don’t come from money and only dream about it. The lemon, which comes through really brightly here, is for the boldness in O’Connor’s lyrics — she sings about chasing dreams and, like Kacey Musgraves in last month’s post, living in a small town (“We live in cities you’ll never see on a screen,” she sings in “Team”). And its acidity is for her sarcasm: The line, “I’m kinda over getting told to throw my hands up in the air/ So there” in “Team” kills me every time, and there’s “It’s a new artform showing people how little we care” in “Tennis Court.” Overall it’s a comforting dish, which is for the reassurement that comes from banding together while going through the sometimes-B.S. that is growing up — which happens even when you’re well out of high school.
My 2013 music collection has officially been dominated by country albums. (Shhh, don’t tell this to the Warped Tour-going 15-year-old me.) I don’t mean the bros singing about pickup trucks and cowboy boots, or the kind of infuriating garbage that topped the country charts earlier this month. But as someone who loves a wide range of folk and Americana, I guess my dip into the twangier stuff was inevitable. There’s a staggering number of grade-A country albums out this year — I’m using that term sort of broadly, but a few faves (which might show up here later on): Jason Isbell’s Southeastern, Brandy Clark’s 12 Stories, Amanda Shires’s Down Fell the Doves, Ashley Monroe’s Like a Rose… I could go on for a while! But one of the first gals that started the trend for me this year was the 25-year-old Texas native Kacey Musgraves, who’s been touring with the likes of Kenny Chesney and Lady Antebellum and just kicked off a headlining U.S. tour (I saw her at Bowery Ballroom last week — even after playing all those stadium shows she seemed genuinely thrilled to have sold out a show in New York. Loved it!)
On her album Same Trailer Different Park she sings about getting out of small towns, finding the positives in a crappy situation, and loving who you want; at least a couple of themes that aren’t so commonplace in the typically uber-conservative country world (“Follow Your Arrow” encompasses all of this). It’s refreshing!
I wanted her dish to be something round, for the never-ending cyclical pattern of small-town living that finds its way into so many of her songs, especially the first single (and one of the album’s best tracks) “Merry Go ‘Round.” It’s about how girls are expected to be married with two kids by 21, go to church every Sunday, and follow exactly what their parents did, with the absurdly clever chorus of “Mama’s hooked on Mary Kay/ Brother’s hooked on Mary Jane/ Daddy’s hooked on Mary two doors down/ Mary, Mary, quite contrary/ We get bored so we get married/ Just like dust we settle in this town/ On this broken merry go ’round.” Then in “Blowin’ Smoke” she’s singing about waitresses who keep saying they’re going to get out of town, but they’re just “blowin’ smoke” and before they know it their kids are already finishing school. The cornmeal is there because it’s common in a lot of southern dishes, but the texture also fits Musgraves’s music: It’s rough and grainy (and the pancakes are savory) for the “Merry Go ‘Round” line about dust settling, and it represents the tough situations her characters find themselves in. The sweet potatoes are for her Texas roots (her hometown, Golden, has a whole festival for them every year), and the yellow/golden color of the pancakes is for the song “Dandelion,” as well as the summery and autumnal feel her songs give off.
For the topping, the sweetness in the peaches is for the hopefulness in songs like the album opener “Silver Lining,” which is, not surprisingly, about finding the good on a day when you “woke up on the wrong side of rock bottom.” The molasses gives the sauce a sort of smoky flavor (for “Blowin’ Smoke”).
It has been an impressive year in music for fellow Lauras! Marling, Stevenson, Veirs and Mvula all have released/are releasing great records in 2013, the latter being the only I hadn’t been familiar with before this year. Laura Mvula is a British singer/songwriter who completely blew me away with her debut Sing to the Moon. At first listen her voice reminded me of Adele, but that lazy comparison went away pretty quickly. Mvula’s music is big, soulful, fearless, sometimes a little jazzy, and danceable; her lyrics are smart and empowering, and the whole record is fantastic.
Greetings! I’m working on a new food- and music-related project that I’m excited to share with you! It’s called Supper Studio and it’s a seasonal pop-up dinner-and-music event: A band plays an intimate show and you eat a meal inspired by their music. As we like to say, it’s a feast in your ear and a melody in your mouth. It’s also kinda like a real-life version of this site.
The kickoff event is on June 23 at Suite Three Oh Six, a brand-new kitchen space in lower Manhattan. Our first band is the amazing Pearl and the Beard, who you might recognize from some previous ETB fun-times, and we’re thrilled to have them on board. You can buy tickets here! Get ’em now because I think they will go quickly. In the meantime, like us on Facebook and follow us on Twitter. If you can’t make it on the 23rd, check in later this summer to see how it went and hopefully we’ll catch you next time.
Hello! It’s been an embarrassingly long time since I’ve posted anything here, and if you’re one of the handful of people who’ve asked if I’m still doing this thing, thanks for caring and I apologize for such a long wait. Life’s been crazy (when isn’t it?) and while I’ve been stockpiling a bunch of half-baked ideas for ETB, I’ve had a hard time sitting still long enough to fully conceptualize them. That’s not to say I haven’t been cooking — a couple weeks ago, I settled in to my fourth (!) Brooklyn apartment, this time down in Bay Ridge, a lovely neighborhood in the southwest corner of the borough, with this guy. For the first time in a long time (ever?), I’ve got a kitchen that’s set up exactly how I want it to be, with no competition for the stove or fridge space, and I’ve got all my pantry items in one place. Going back and forth between apartments for 15 months was challenging and often stressful, and it especially took a toll on planning food projects. So, now that I’m finally settled in with the best roommate ever for as long as we’re allowed to live in this apartment, I’m hoping I can finally get my act together. Or not. We’ll see! Regardless, I’ve got a lot more peace of mind and I’ve been cooking up a storm — just mostly everyday dishes without ingredient lists or measurements. (And I’m thinking about ways to share that kind of stuff here, too.)
Anyway, on to Kurt Vile and my first legit crusted quiche (recipe here)!
I got into Kurt Vile at the end of 2011 when Smoke Ring For My Halo was on everyone’s best-of lists (I was late to the party) and he’s been in regular rotation since. His new record Wakin’ on a Pretty Daze is one of my favorites of the year and it’s been in my ears nonstop the last couple months. A good amount of Vile’s music is chilled-out, conventional-ish indie rock — great guitar hooks, moments of jangly pop, a few catchy melodies — but just as often he wanders off to the point where it’s easy to get lost and forget that I’m listening to the same song that started six minutes ago. He has a reputation for dark lyrics, but in reality he’s got an amazing, wry sense of humor; in the album’s first song, the almost-title track “Wakin’ on a Pretty Day,” he sings, “Phone ringing off the shelf/ I guess it wanted to kill himself,” and he jokes that he has to think about what kind of wisecracks he’s going to drop that day. Vile, who’s based in Philadelphia, told Pitchfork that he’s mostly a homebody and a “family man” — he’s married with two young kids — and there are a couple times here that he assures his loyalty to his family, like in “Never Run Away” and “Too Hard,” the latter of which is one of the sweetest songs I’ve heard in a while.
It’s finally starting to feel like spring in New York and that’s what this whole record feels like. “Wakin’ on a Pretty Day” calls for a light, springy breakfast, so I made a quiche with greens and sweet caramelized onions. Vile’s homebody-ness is a great parallel because it’s a perfect dish for a leisurely brunch, but you’ve got to stick around for a little while to make it. It’s not incredibly difficult, but there’s a bit of prep work — though some of it, like caramelizing the onions and chopping vegetables, can easily be done ahead of time. It’s also versatile and can be used with pretty much any vegetables or cheeses you have on hand. That’s to say you don’t need to pay super close attention to your measurements, at least when it comes to the veggies: Vile’s songs can space out, and you can kinda do the same — just do your thing and it’ll turn out OK.
One of my favorite verses on the album is in the sprawling last track, “Goldtone,” which starts with, “Sometimes when I get in my zone, you’d think I was stoned/ But I never, as they say, ‘touch the stuff’/ I might be adrift, but I’m still alert/ concentrate my hurt into a gold tone.” Which is to say, things aren’t always as they appear (like the frequent categorization of Vile’s music as stoner-rock). It’s similar to how you might look at this creamy dish and think it’s full of fat — most quiche recipes use a stick of butter in the crust and two cups of heavy cream in the filling, which is kinda nuts, though I’m sure delicious. So while I didn’t skimp on the cheese here, it’s actually not quite as rich as it appears: The crust is made with olive oil instead of butter (and only a few tablespoons of it), as well as skim milk and a couple extra egg whites — but it doesn’t lose any of the flavor.